| The Light Princess and Other Fairy Tales (George Macdonald Original Works) |  | Author: George Macdonald
Publisher: Johannesen Printing & Publishing
Category: Book
List Price: $38.00
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Rating:  13 reviews
Sales Rank: 946133
Media: Hardcover
Reading Level: All Ages
Pages: 305
Number Of Items: 1
Shipping Weight (lbs): 1.1
Dimensions (in): 7.5 x 5.4 x 1.4
ISBN: 1881084167
Dewey Decimal Number: 813
EAN: 9781881084167
ASIN: 1881084167
Publication Date: September 1993
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 2 to 4 weeks
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Product Description
An authoritative edition of the shorter fairy tales of George MacDonald, "one of the most remarkable writers of the nineteenth century" (W. H. Auden)
George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries, and his dazzling fairy tales earned him the admiration of such twentieth-century writers as C. S. Lewis, J. R. R. Tolkien, and W. H. Auden. Employing paradox, play, and nonsense, like Lewis Carroll's Alice books, MacDonald's fairy tales offer an elusive yet meaningful alternative order to the dubious certitudes of everyday life.
The Complete Fairy Tales brings together all eleven of George MacDonald's shorter fairy tales, including "The Light Princess" and "The Golden Key," as well as his essay "The Fantastic Imagination." The subjects are those of traditional fantasy: fairies good and wicked, children embarking on elaborate quests, journeys into unsettling dreamworlds, life-risking labors undertaken. Though they allude to familiar tales such as "Sleeping Beauty" and "Jack the Giant-Killer," MacDonald's stories are profoundly experimental and subversive. By questioning the concept that a childhood associated with purity, innocence, and fairy-tale "wonder" ought to be segregated from adult skepticism and disbelief, they invite adult readers to adopt the same elasticity and openmindedness that come so naturally to a child.
"I have never concealed the fact that I regarded him as my master . . . The quality that had enchanted me in his imaginative works turned out to be the quality of the real universe, the divine, magical, terrifying and ecstatic reality in which we all live." --C. S. Lewis
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| Customer Reviews: Read 8 more reviews...
 Mossy and Tangle December 20, 2008
Lawrence Wilcox (Christchurch NZ)
George MacDonald was one of those rare writers who speak the language of dream and fairy-tale like a native. Shorter pieces in this style tend to work best, so it's fair to say that this book shows MacDonald at his finest. The stories vary widely in tone. The good-humoured courtly teasing of "The Light Princess", the darker Celtic fairies of "The Carasoyn". The curious folklore variations of "The Wise Woman" with its delightful opening: "There was a certain country where things used to go rather oddly". "The Day Boy and the Night Girl", part fairy-tale, part new-made myth and part dream-like parable, a story only George MacDonald could have written.
Three excerpts from the full-length children's book "At the Back of the North Wind" have been included, two dreams and the inset story "Little Daylight". These sections help to give that book its wistful, mystical atmosphere: because the author was as near to being a mystic as a good Protestant can be. ("Where did you come from, baby dear?/ Out of the everywhere into here.")
Best of all is the indescribable "Golden Key". Here MacDonald refines and perfects the sheer dream-flow he used in the grown-up novel "Phantastes", creating a haunting narrative that defies interpretation. If you do nothing else in life, read "The Golden Key". But all these stories brim with the whispered untranslatable wisdom that belongs to fairy-tale. For those who don't know MacDonald, this is the ideal place to start. Essential for anyone interested in wonder-tales or Victorian children's writing, highly recommended to anyone everyone else. Many of these stories can be read to children, but some may be considered too wordy. Why are there no illustrated versions in print?
Wonderful! November 23, 2008
D. Bratcher (Texas, USA)
These are not like the Grimm Fairy Tales (which are grisly) - these are wonderful and uplifting. Great reading for ages 12 and up.
Life-changing!!! July 24, 2008
M. Mueller
I know you are reading this skeptical of most peoples reviews, and we all have different tastes, but these works are unbelievable! I truly have been enthralled by almost every story and at the worst greatly amused and taken away from the modern world. There is so much wisdom immersed within beautiful and enchanting tales. "The Wise Woman, or Lost Princess" is probably the best story I have ever read or heard.
Buy one copy for yourself and 5 for your friends and family, and tell everyone you know to read George MacDonald. If they can't appreciate it, I think their souls are blind, and I would pray for them. These should be told to everyone, and read to every child!
The First Surrealist? July 12, 2008
Scott (Texas)
George MacDonald has quickly become one of my favorite authors with this collection of work here. I had already read The Golden Key and enjoyed it, and wondered if his other works were similar. I was not disappointed.
The only negative thing I can say about these stories is The Light Princess slows down a bit in the middle, and The Wise Woman starts off kinda slow. Everything else is top notch. Sure, someone could argue that The Shadows is as inconclusive as a story gets, but you know; that really didn't bother me. Anyway, MacDonald has an argument for the existence of inconclusive stories at the end of The Wise Woman for folks who want to make something of it.
Now for a brief synopsis of each story that's contained. Most of these stories are taken from some of MacDonald's full novels:
The Fantastic Imagination Essay is quite amusing, particularly when it discusses how you can ruin a fairy tale completely by simply inserting a gentleman with a cockney accent. I'd like to try that some time.
The Light Princess isn't a story about a girl who gives out magical glowing light. It's about a princess who's so light in weight that she floats. This misinterpretation of the title actually did disappoint me, and that's probably the reason I thought the story was a little slow in the middle. But I enjoyed what was there, even if it wasn't the best demonstration of MacDonald's wild imagination.
The Shadows is a downright creepy story for the first few pages, and then the narrator takes us into the church of the shadows, where the shadows simply tell random stories, most of them fairly light-hearted. A boy thinks that shadows are ghosts that got all black from getting stuck in a chimney. Pretty logical for a kid if you think about it.
The Giant's Heart is the most violent story out of the bunch. Some evil giant keeps his heart in a bird's nest for some inexplicable reason. Maybe the story explains why, but the reason still remains inexplicable. Kids ride on top of spiders, and you pretty much get a good feel for George MacDonald's writing style here.
Cross Purposes is probably my favorite story in this entire collection. It's so wild I forget the plot. Environments come and go through sudden changes, and vanishings, and what-not. It's like being in a dreamworld. I think it's about a princess and a goblin who bring two kids together, and the kids grow from hating each other to loving each other. This is not the same story as The Princess and The Goblin by George MacDonald, because I believe The Princess and The Goblin is a much longer story, although I haven't yet read it.
A friend of mine told me he thought The Golden Key is insane, and it is. It's much like Cross Purposes, where the environment's changing all over the place. We see two kids who appear to be walking for some reason, and they talk to a parrot fish with an owl's head that cooks itself, and they grow really old, and they walk up a rainbow like it's a giant staircase. Yep.
Little Daylight is a great concept. A girl is cursed by a witch causing her to always falls asleep before the sun comes out, and stay asleep until after moonrise so that she never sees the sun. Worse yet, when the moon's full she's in perfect health, but when it's a half moon or less she turns into an old wrinkled woman even though she's no more than seventeen.
Nanny's Dream and Diamond's dream tell us about off the wall things like night skies inside of a house when it's daylight outside the house, and what it's like to live in the moon with an old man who demands that the moon's windows be washed. Okay, then.
The Carosyn is much again a shining work of MacDonald's imagination like Cross Purposes and The Golden Key. This one has a little more of a plot though, and is easier to understand. A kid digs a canal through his house. Then a bunch of fairies sail down the canal and thank him. He sees them with a girl they kidnapped, and asks how she can be freed. They answer that when he brings them the drink called The Carosyn that the girl can be freed. Unfortunately no one knows what the heck The Carosyn is, not even the fairies, so naturally matters get complicated. Thankfully, visits to old blind women with hens and goblin blacksmiths seem to guide the way.
The Wise Woman is without question the most pedagological of the stories if that's even a word. It emphasises the importance of being good and not throwing temper tantrums over and over again. Thankfully a bunch of weird stuff happens, and visions come and go to keep things interesting. The highlight of the story is the deeply disturbing vision of the second failure of the princess. Don't get into fights on boats is all I'm going to say.
The History of Photogen and Nycteris is pretty neat. It's similar to Little Daylight. Photogen is raised to only see the sun and Nycteris is raised to only see the dark. Photogen seems like such a strong lad and Nycteris seems like such a sweet girl. In the midst of it all there's a lady with a wolf in her mind - literally, it seems. This story contains (like all of MacDonald's stories contain) a great descriptive analogy. Photogen in his fear of night calls the the moon the ghost of a dead sun.
Although the brief introductions of certain sections of the works inform us that the last three stories are much darker than the rest, I wouldn't agree with that at all. All of the stories have bits of humor, and bits of disturbing darkness. That's what makes them so wonderful.
I'm starting to think that although Andre Breton is credited with being the first actual surrealist, George MacDonald was in fact a surrealist perhaps half a century before. I've read many fairy tales by many authors but none of them have quite the randomness of MacDonald, except maybe Alice's Adventures in Wonderland which had to be at least somewhat inspired by MacDonald's work. This man is inspirational and I'd highly recommend his work to anybody, young or old.
One final note:
I have no idea what the cover art is supposed to represent. In fact, I'm not sure if it's from any of the stories in this collection. It appears to be some elderly fellow approaching a giant gargoyle. I don't recall a scene like this at all, although if I stretch my imagination a bit and pretend the old man is a kid I suppose it COULD be associatied with The Giant's Heart.
Grandpa George June 24, 2008
P. B. McCaffery (Notre Dame, IN)
Only MacDonald has visited Fairyland and has come back giggling. Ought to be on every bookshelf that contains what is beautiful.
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